{"id":9,"date":"2025-05-12T19:42:14","date_gmt":"2025-05-12T19:42:14","guid":{"rendered":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/career\/"},"modified":"2025-08-18T13:54:05","modified_gmt":"2025-08-18T13:54:05","slug":"career","status":"publish","type":"page","link":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/career\/","title":{"rendered":"Course Materials"},"content":{"rendered":"<p><strong><u>POETRY:<br \/>\n<\/u><\/strong><\/p>\n<p><strong>September :<br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/www.poetryfoundation.org\/poems\/46548\/harlem\">Harlem<\/a>\u00a0by Langston Hughes<br \/>\n<a href=\"https:\/\/www.poetryfoundation.org\/poems\/48988\/awaking-in-new-york\">Awaking in New York<\/a>\u00a0by Maya Angelou<br \/>\n<a href=\"https:\/\/www.nuyorican.org\/\">* Nuyorican Poets Cafe website\u00a0<\/a><\/p>\n<p><strong>September :<\/strong><\/p>\n<p><a href=\"https:\/\/www.poetryfoundation.org\/poems\/147275\/a-litany-for-survival\">A Litany for Survival<\/a>\u00a0by Audre Lorde<br \/>\n<a href=\"https:\/\/www.poetryfoundation.org\/poems\/90818\/these-new-york-city-pigeons\">These New York City Pigeons<\/a>\u00a0by Jayne Cortez<\/p>\n<p><strong><u>FILM:\u00a0<\/u><\/strong><\/p>\n<p><strong>September :<\/strong><\/p>\n<p><a href=\"https:\/\/www.loc.gov\/collections\/early-films-of-new-york-1898-to-1906\/articles-and-essays\/the-actuality-film\/\">The Actuality Film<\/a>\u00a0(Library of Congress)<\/p>\n<p><a href=\"https:\/\/www.loc.gov\/collections\/early-films-of-new-york-1898-to-1906\/articles-and-essays\/new-york-city-at-the-turn-of-the-century\/\">New York City at the Turn of the Century<\/a>\u00a0(Library of Congress)<\/p>\n<p><strong>September :<\/strong><\/p>\n<p><a href=\"http:\/\/eportfolios.macaulay.cuny.edu\/pio20\/files\/2020\/08\/film_art_an_introduction_part1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Film Art<\/a>\u00a0 Chapter 1, concentrate on pages 2-9; 17-34(David Bordwell, Kristin Thompson, Jeff Smith)<\/p>\n<p><a href=\"https:\/\/www.actionvfx.com\/blog\/are-movies-the-highest-form-of-art-5-reasons-why-i-think-yes\">Are Movies The Highest Form of Art? 5 Reasons Why I think \u201cYes\u201d (Kenan Proffitt,\u00a0<em>Actionvfx.com<\/em>)<\/a><\/p>\n<p><a href=\"https:\/\/dailyevergreen.com\/36695\/mint\/should-film-be-considered-an-art-form\/\">Should Film be considered and art form?<\/a>\u00a0(Mary Ginther<em>; Dailyevergreen.com<\/em>)<\/p>\n<p><strong>September :<\/strong><\/p>\n<p><a href=\"https:\/\/www.nytimes.com\/2018\/05\/08\/movies\/cannes-film-festival-netflix.html\">Does it Matter if You See a Film in a Theater or at Home?<\/a>\u00a0(Ben Keningsberg and Jason Nailey;\u00a0<em>nytimes.com<\/em>)<\/p>\n<p><em><a href=\"https:\/\/files.eportfolios.macaulay.cuny.edu\/wp-content\/uploads\/sites\/7685\/2022\/09\/17100100\/Cinema-cant-shake-its-case-of-long-Covid-_-Financial-Times.pdf\">Cinema can\u2019t shake its case of long Covid _ Financial Times<\/a>\u00a0(Cat Rutter Pooley; FT.com)<\/em><\/p>\n<p><strong>September :<br \/>\n<\/strong>Assignment 1: Film\u00a0<a href=\"https:\/\/files.eportfolios.macaulay.cuny.edu\/wp-content\/uploads\/sites\/7685\/2022\/09\/17100100\/Discussion-Questions-1.docx\">Discussion Questions<\/a><br \/>\n<a href=\"https:\/\/files.eportfolios.macaulay.cuny.edu\/wp-content\/uploads\/sites\/7685\/2022\/09\/17100100\/Grading-Rubric-2022.docx\">Grading Rubric 2022<\/a><\/p>\n<p><strong><u>VISUAL ARTS:<\/u><\/strong><\/p>\n<p><strong>September :<\/strong><\/p>\n<p><a href=\"http:\/\/eportfolios.macaulay.cuny.edu\/pio20\/files\/2020\/09\/Dewey_ExpArt.pdf\">Dewey,\u00a0John.\u00a0<em>Art As Experience<\/em>. New York, Penguin Putnam, 1934<\/a>.<\/p>\n<p><a href=\"http:\/\/eportfolios.macaulay.cuny.edu\/pio20\/files\/2020\/09\/AlaindeBotton.pdf\">De Botton, Alain and John Armstrong.\u00a0<em>Art as Therapy.\u00a0<\/em>Phaidon Press Limited, 2013.<\/a><\/p>\n<p><strong>October :<\/strong><\/p>\n<p><a href=\"http:\/\/eportfolios.macaulay.cuny.edu\/pio20\/files\/2020\/08\/Hopper-Greenhill-Learning-in-Museums-Objects.pdf\">Hooper-Greenhill, Eilean (1991) Learning in Museums and Galleries: Philosophy and Method. In Museum and Gallery Education. New York: Leicester University Press. pp. 72, 98- 113.<\/a><\/p>\n<p><a href=\"http:\/\/eportfolios.macaulay.cuny.edu\/pio20\/files\/2020\/08\/Gurian-What-is-object-of-this-exercise.pdf\">Gurian, Elaine Heumann (2001) What is the Object of this Exercise? A Meandering Exploration of the Many Meanings of Objects in Museums? In Humanities Research (Vol. 8, No 1) pp 25-36.<\/a><br \/>\n<strong><br \/>\nWatch:<br \/>\n<\/strong><a href=\"https:\/\/www.youtube.com\/watch?v=sM2MOyonDsY\">How to do visual (formal) analysis in art history<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=O39niAzuapc\">What is Visual Literacy?<\/a><\/p>\n<p><strong>October :<\/strong><\/p>\n<p><a href=\"http:\/\/eportfolios.macaulay.cuny.edu\/pio20\/files\/2020\/08\/Abt-Origins-of-the-Public-Museum.pdf\">Abt, Jeffrey \u201cThe Origins of the Public Museum\u201d in Sharon Macdonald,\u00a0<em>A Companion to Museum Studies<\/em>, Malden MA: Blackwell Publishing Ltd., 2006, pp. 115-134 (concentrate on pages 119-129)<\/a><\/p>\n<p><a href=\"http:\/\/eportfolios.macaulay.cuny.edu\/pio20\/files\/2020\/08\/Falk-Visitor-Experince-Who-Visits-Why-etc.pdf\">Falk, John (2012) The Museum Visitor Experience\u2014Who Visits, Why and to What Effect? In Gail Anderson.\u00a0<em>Reinventing the Museum<\/em>\u00a0(second edition) New York: Altamira Press. (PDF)<\/a><\/p>\n<p><strong>October :<\/strong><\/p>\n<p><a href=\"https:\/\/www.associationforpublicart.org\/what-is-public-art\/\">What is Public Art?<\/a>\u00a0(<em>associationforpublicart.org<\/em>)<\/p>\n<p><a href=\"https:\/\/ny.curbed.com\/2017\/11\/10\/16632074\/nyc-public-art-museum-of-city-of-new-york-parks\">50 Years of public art in NYC celebrated in new museum exhibit<\/a>\u00a0(Amy Plitt;\u00a0<em>ny.curbed.com<\/em>)<\/p>\n<p><a href=\"https:\/\/www.haring.com\/!\/speaks\/in-his-own-words\">Keith Haring \u201cIn His Own Words\u201d<\/a>\u00a0(Beginnings and To New York;\u00a0<em>haring.com<\/em>)<\/p>\n<p><strong>DANCE:<\/strong><\/p>\n<p><strong>October :<\/strong><\/p>\n<p><em><a href=\"https:\/\/files.eportfolios.macaulay.cuny.edu\/wp-content\/uploads\/sites\/7685\/2022\/08\/17100107\/Graham-I-Am-a-Dancer.pdf\">Graham-I-Am-a-Dancer<\/a><br \/>\n<\/em><a href=\"https:\/\/files.eportfolios.macaulay.cuny.edu\/wp-content\/uploads\/sites\/7685\/2022\/08\/17100106\/Kraus-Meaning-of-Dance.pdf\">Kraus-Meaning-of-Dance<\/a><br \/>\n<a href=\"https:\/\/www.dancetheatreofharlem.org\/our-history\/\">Arthur Mitchell\/Dance Theater of Harlem:\u00a0<\/a><br \/>\n<a href=\"https:\/\/www.gothamcenter.org\/blog\/stages-streets-and-screens-the-geography-of-nyc-dance-in-the-1960s-1970s-dance-boom-1\">Stages, Streets, and Screens<\/a><\/p>\n<p><strong>November :<\/strong><\/p>\n<p><a href=\"https:\/\/www.liveabout.com\/history-of-breakdancing-2857231#:~:text=Breakdance%20is%20the%20oldest%20known,of%20funk%20maestro%2C%20James%20Brown.\">\u00a0\u201cA Brief History of Breakdancing\u201d<\/a><\/p>\n<p><strong>Monday, November :<br \/>\n<\/strong>(Select\u00a0<strong>one<\/strong>\u00a0to watch)<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=kXRMT_2F-WE&amp;t=2s\">The Nutcracker ballet<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=UCsv5QlFo2Q\">Alvin Alley (Chroma, Grace, Takademe, Revelations)<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=_TSPcHBs4KU\">Dance Theater Harlem Sunday Matinee<\/a><\/p>\n<p><strong><u>OPERA:<\/u><\/strong><\/p>\n<p><strong>November :<\/strong><\/p>\n<p><a href=\"http:\/\/eportfolios.macaulay.cuny.edu\/pio20\/files\/2020\/11\/Opera101.pdf\">Plotkin, Fred (1994) Opera 101. New York: Hachette Books.<\/a><\/p>\n<p><a href=\"https:\/\/www.nycgo.com\/articles\/met-opera-guide-nyc\">A Night at the Opera (Christina Parrella,\u00a0<em>nyc.gov<\/em>)<\/a><\/p>\n<p><a href=\"https:\/\/www.wqxr.org\/story\/opera-house-starbucks-brief-history-nycs-bygone-opera-houses\/\">From Opera House to Starbucks: A Brief History of NYC\u2018s Bygone Opera Houses<\/a>\u00a0(Heather O\u2019Donovan;\u00a0<em>wqxr.org<\/em>)<\/p>\n<p><strong>November :<\/strong><\/p>\n<p><a href=\"https:\/\/www.metopera.org\/discover\/synopses\/la-boheme\/\">Synopsis: La Boheme<\/a>\u00a0(Met Opera)<\/p>\n<p><strong>November :<\/strong><\/p>\n<p><a href=\"https:\/\/www.metopera.org\/user-information\/synopses-archive\/aida\">Synopsis: Aida<\/a>\u00a0(Met Opera<a href=\"https:\/\/www.metopera.org\/season\/on-demand\/\">)\u00a0<\/a><\/p>\n<p><strong><u>MUSIC:<\/u><\/strong><\/p>\n<p><strong>\u00a0November :<\/strong><br \/>\nTBD<\/p>\n<p><strong>Monday, November :<\/strong><br \/>\nLouis Armstrong House Museum visit (Possible)<\/p>\n<p><strong>Wednesday, November :<\/strong>\u00a0 TBD<\/p>\n<p><strong>Monday, December :<\/strong>\u00a0 TBD<\/p>\n","protected":false},"excerpt":{"rendered":"<p>POETRY: September : Harlem\u00a0by Langston Hughes Awaking in New York\u00a0by Maya Angelou * Nuyorican Poets Cafe website\u00a0 September : A Litany for Survival\u00a0by Audre Lorde These New York City Pigeons\u00a0by Jayne Cortez FILM:\u00a0 September : The Actuality Film\u00a0(Library of Congress) New York City at the Turn of the Century\u00a0(Library of Congress) September : Film Art\u00a0 [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"portfolio_post_id":0,"portfolio_citation":"","portfolio_annotation":"","openlab_post_visibility":"","footnotes":""},"class_list":["post-9","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/wp-json\/wp\/v2\/pages\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/wp-json\/wp\/v2\/comments?post=9"}],"version-history":[{"count":2,"href":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/wp-json\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":31,"href":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/wp-json\/wp\/v2\/pages\/9\/revisions\/31"}],"wp:attachment":[{"href":"https:\/\/openlab.macaulay.cuny.edu\/pio2025\/wp-json\/wp\/v2\/media?parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}