{"id":124,"date":"2026-05-04T00:43:24","date_gmt":"2026-05-04T00:43:24","guid":{"rendered":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/?page_id=124"},"modified":"2026-05-15T19:17:29","modified_gmt":"2026-05-15T19:17:29","slug":"story-comparison","status":"publish","type":"page","link":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/story-comparison\/","title":{"rendered":""},"content":{"rendered":"\n

How the Same Story Becomes Two Different Realities<\/h1>\n\n\n\n
\"Door
Photo by Jason Dent<\/a>.<\/figcaption><\/figure>\n\n\n\n

In this comparative analysis, I have gone through and shown the different ways that the story of the community of Baile and GN\u00d3 Group were framed between the two articles that you\u2019ve read. Article 1, refers to the article titled \u201cGN\u00d3 Group Approval Set to Add $40M into Local Economy\u201d, which is framed through a major corporation acquisition tone, where it emphasizes this as a story of economic growth and job potential. Article 2 refers to the article titled \u201cResidents Left Unheard as Council Hands GN\u00d3 Our Green Space\u201d, which is framed through the lens of the community, and emphasizes the story as one of corporate imposition.<\/p>\n\n\n\n

Below are the four major areas through which different framing shaped the way an audience would perceive the story, being the headline, the featured quotes and speakers, the diction and language choice, and the pieces of the story that were intentionally omitted in one version, but included in the other.<\/p>\n\n\n\n

\"Border<\/figure>\n\n\n\n

1. What’s It Called?<\/h4>\n\n\n\n

The headline is the first and most powerful framing device a journalist deploys. Before a reader processes a single fact, the headline has already told them how they should feel.<\/p>\n\n\n\n

\n
\n
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Article 1 \u2013 Corporate Framing<\/strong><\/p>\n\n\n\n

\u201cGN\u00d3 Group Approval Set to Add $40M into Local Economy”<\/p>\n<\/blockquote>\n<\/div>\n\n\n\n

\n
\n

Article 2 \u2013 Community Framing<\/strong><\/p>\n\n\n\n

\u201cResidents Left Unheard as Council Hands GN\u00d3 Our Green Space\u201d<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

Article 1 leads with a financial figure ($40M) and a verb of intention (\u2018add\u2019), framing the development as something being given to the town. The implied subject is economic benefit, the implied audience is someone who is going to gain something from this development. Article 2 leads with a human action (\u2018left unheard\u2019) and a possessive pronoun (\u2018our\u2019), immediately establishing a story of loss and exclusion. The corporation is named the direct recipient of something being stolen from the community.<\/p>\n\n\n\n

This pattern continues when comparing the opening paragraphs. Article 1 opens with a statement of fait accompli<\/em>, or an accomplished fact. This is something that shows the decision is done and there is nothing else to be said about it. Article 2 opens with an individual human being. Violet Marks and her morning walks. By personalizing the story before introducing institutional actors, the article invites the reader to identify with someone who is about to lose something.<\/p>\n\n\n\n

\"Border<\/figure>\n\n\n\n

2. Who Gets a Voice?<\/h4>\n\n\n\n

One of the most significant decisions in journalism is whose voice is treated as authoritative. These articles draw from almost entirely different individuals involved.<\/p>\n\n\n\n

\n
\n
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Article 1 \u2013 Sources Quotes<\/strong><\/p>\n\n\n\n

GN\u00d3 Spokesperson, Liam Grace (x2)<\/p>\n\n\n\n

Council Leader, Jude Lynch<\/p>\n\n\n\n

Economist, Dr. Taryn Short<\/p>\n\n\n\n

Business owner, Patrick Berry<\/p>\n<\/blockquote>\n<\/div>\n\n\n\n

\n
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Article 2 \u2013 Sources Quoted<\/strong><\/p>\n\n\n\n

Parents at Baile Primary (collectively)<\/p>\n\n\n\n

Resident Violet Marks (x2)<\/p>\n\n\n\n

Shopkeeper, Claire Wright<\/p>\n\n\n\n

Campaigner, Gerard Max<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

Article 1 raises institutional and professional voices. A corporate spokesperson, and elected official, a commissioned economist, and a supportive business owner. Article 2 raises the voices of individuals and the shared community. Long term residents, a small business owner facing competitive threat, and parents worried about their children\u2019s safety.<\/p>\n\n\n\n

Neither article is dishonest. These people all exist and may all have said what they are quoted with. But the choice of who to include and who to exclude shapes how an audience crafts their reality of the situation.<\/p>\n\n\n\n

Notably, Article 1 does not quote a single dissenting resident, and Article 1 does not quote the economic analyst whose report was presented to the council. Each article renders the other\u2019s central characters invisible.<\/p>\n\n\n\n

\"Border<\/figure>\n\n\n\n

3. How Did You Say That?<\/h4>\n\n\n\n

Research on media framing holds that language is never neutral. All word choices are intentional and shape the story for their reader. Below are the different terms used to describe the same entities across both articles.<\/p>\n\n\n\n

Referring to\u2026<\/strong><\/td>Article 1 Language:<\/strong><\/td>Article 2 Language:<\/strong><\/td><\/tr>
The land<\/td>\u201cpreviously derelict land\u201d<\/td>\u201cour land\u201d \/ \u201cour green space\u201d<\/td><\/tr>
The corporation<\/td>\u201cGN\u00d3 Group\u201d<\/td>\u201cretail giant\u201d \/ \u201cout of town corporation\u201d<\/td><\/tr>
The decision<\/td>\u201capproved\u201d<\/td>\u201chanded over\u201d \/ \u201cvoted to allow\u201d<\/td><\/tr>
The building <\/td>\u201cconstruction is set to begin\u201d<\/td>\u201cplans to demolish\u201d<\/td><\/tr>
Community opposition<\/td>\u201ca small number of attendees\u201d<\/td>\u201cmore than 65 residents\u201d<\/td><\/tr>
Council decision<\/td>\u201cunanimously approved\u201d<\/td>\u201cnot a single vote of dissent\u201d<\/td><\/tr>
Jobs promised<\/td>\u201c180 full and part time positions\u201d<\/td>\u201czero-hour contracts\u201d (buried detail)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Article 1 raises institutional and professional voices. A corporate spokesperson, and elected official, a commissioned economist, and a supportive business owner. Article 2 raises the voices of individuals and the shared community. Long term residents, a small business owner facing competitive threat, and parents worried about their children\u2019s safety.<\/p>\n\n\n\n

Neither article is dishonest. These people all exist and may all have said what they are quoted with. But the choice of who to include and who to exclude shapes how an audience crafts their reality of the situation.<\/p>\n\n\n\n

Notably, Article 1 does not quote a single dissenting resident, and Article 1 does not quote the economic analyst whose report was presented to the council. Each article renders the other\u2019s central characters invisible.<\/p>\n\n\n\n

\"Border<\/figure>\n\n\n\n

4. What is Left Unsaid?<\/h4>\n\n\n\n

Framing operates not only through what words make it onto the page, but which ones are thoughtfully omitted. Omission is one of the most powerful and least visible framing techniques, because an audience can hardly tell what they have not been told.<\/p>\n\n\n\n

\n
\n
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Article 1 omits…<\/strong><\/p>\n\n\n\n

Any mention of the nature of the employment contracts offered<\/p>\n\n\n\n

The number or content of formal objections submitted<\/p>\n\n\n\n

The specific concerns of parents at Baile Primary<\/p>\n\n\n\n

Any quote from a dissenting resident<\/p>\n<\/blockquote>\n<\/div>\n\n\n\n

\n
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Article 2 omits…<\/strong><\/p>\n\n\n\n

The full finding of the independent economic report<\/p>\n\n\n\n

The council\u2019s plan to fund road improvements<\/p>\n\n\n\n

Quotes from residents who support the development<\/p>\n\n\n\n

The town\u2019s unemployment rate or regional economic context<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

None of these omissions constitutes a lie. Journalism is inherently selective and no article can include everything. But the pattern of what each article systematically excludes is not random.<\/p>\n\n\n\n

Article 1 omits information that would complicate or undermine the economic optimism of its frame. Article 2 omits information that might suggest the development has genuine merit. Each article\u2019s silences are as revealing as its statements.<\/p>\n\n\n\n

This is the mechanism at the heart of media framing, it is not primarily about fabrication. It is about selection, emphasis, and omissions. These choices determine which version of reality the audience is invited to step foot in.<\/p>\n\n\n\n

\"Two
Photo by Suzi Kim<\/a>.<\/figcaption><\/figure>\n\n\n\n

Both of the articles in this situation are written in good faith about the story that is happening in a made up town of Baile, by fictional authors that believe their framing is fair and accurate, as it tells the reality of their situation within the story. This is precisely why media framing is so significant in the shaping of public opinion and belief. An audience that only encounters Article 1 will understand GN\u00d3 Group\u2019s development as a straightforward economic opportunity, with modest community concerns being insignificant to the net positive. An audience that only reads Article 2 will understand this as a story about a community being overtaken by institutional and corporate greed and power.<\/p>\n\n\n\n

Neither reader is being deceived in the conventional sense. Both are being fed framed stories of a situation. The facts are the same, but the world they see and what they take away from it is not.<\/p>\n\n\n\n

<\/p>\n\n\n\n

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Back to home<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

How the Same Story Becomes Two Different Realities In this comparative analysis, I have gone through and shown the different ways that the story of the community of Baile and GN\u00d3 Group were framed between the two articles that you\u2019ve read. Article 1, refers to the article titled \u201cGN\u00d3 Group Approval Set to Add $40M […]<\/p>\n","protected":false},"author":17,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"portfolio_post_id":0,"portfolio_citation":"","portfolio_annotation":"","openlab_post_visibility":"","footnotes":""},"class_list":["post-124","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/wp-json\/wp\/v2\/pages\/124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/wp-json\/wp\/v2\/comments?post=124"}],"version-history":[{"count":13,"href":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/wp-json\/wp\/v2\/pages\/124\/revisions"}],"predecessor-version":[{"id":276,"href":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/wp-json\/wp\/v2\/pages\/124\/revisions\/276"}],"wp:attachment":[{"href":"https:\/\/openlab.macaulay.cuny.edu\/selective-sympathy-2026\/wp-json\/wp\/v2\/media?parent=124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}