Ukrainian Throw Blanket

This embroidered throw blanket means a lot to my family because it’s more than just something we use, it’s a piece of my mom’s past. It originally belonged to my grandmother in Ukraine, and she gave it to my mom when she left to move to New York in 2006 to join my dad. At a time when everything in her life was changing, the blanket was something familiar she could hold onto, reminding her of home and her family. Even now, she uses it every day while ironing, which makes it feel less like an old keepsake and more like a living part of our daily life. To me, it shows how my mom carries her history with her, and how something simple can hold so many memories, emotions, and connections to where we come from.

Muchnick Family History

My family’s story is one of migration, survival, and identity, shaped by the waves of immigration that built New York. On my mother’s side, my grandparents are first-generation Holocaust survivors: my grandmother came from Kisvárda, Hungary, a small town whose once-thriving Jewish community was nearly wiped out during the Holocaust, and my grandfather came from Soviet Ukraine. In 1977, feeling there was no future for Jews in Europe, they immigrated to America and settled in Mill Basin, Brooklyn, among other immigrants with similar stories. On my father’s side, the family was already rooted in America, settling on Long Island in Nassau County, though the connections to Europe were never far away—my great-grandmother survived the Holocaust in Hungary before making her way here, and my great-grandfather served in the U.S. Army during World War II, leading a post-war interrogation unit. What carried over from the old world was less about language, since my grandparents speak fluent Hungarian and Russian but never taught it to me, and more about a deep sense of Jewish identity. If I had to choose one object to represent my family, it would be a kippah—small, simple, but carrying everything. My family left Europe because they were Jewish, survived because they held onto who they were, and rebuilt in Brooklyn and Long Island because New York gave them a fresh start. Their story connects directly to the Jewish experience on the Lower East Side and the broader history of immigrant New York.

Symbol of Sikhism

The object I chose is my kada, the bracelet I wear on my wrist every day. It might look simple, just a plain silver circle, but it means a lot to me because it represents my religion, Sikhism.

I’ve actually worn it my whole life. Since I was born, I always had one on, and every time I grew out of it, I would get a new one. It’s something I’ve never taken off, literally never. Because of that, it feels like a part of me, not just something I wear.

As I got older, I started to understand its meaning more. It reminds me to stay strong, make good decisions, and stay connected to my values. Even in normal moments, I notice it, and it kind of keeps me grounded. Overall, my kada isn’t just a bracelet; it’s something that’s always been with me and always reminds me of who I am.

Your Story, Our Story

For my object, I chose my father’s French passport. This passport represents more than just identification; without it, my father would not have been able to immigrate to New York City in the 1990s. As an official document, it allowed him to legally enter a new country and begin building a life there. It made it possible for him to take advantage of the opportunities that New York offers.

Over time, the meaning of this passport expanded beyond my father’s experience. It became part of my own story, as I grew up as a dual citizen of both France and the United States. This allowed me to move between New York and Paris throughout my childhood. Because of this, I came to understand that migration is not always a one-time event, but can be an ongoing and transnational process.

At the same time, this object highlights inequality. Not everyone has access to the same legal mobility. Many immigrants in New York face barriers that limit their ability to travel freely or return to their home countries. In this way, the passport represents both opportunity and unequal access.

Within the framework of the Tenement Museum’s Your Story, Our Story project, this object shows how everyday items can reveal larger social patterns. My father’s passport connects a personal family story to broader issues of migration, identity, and life in New York City.

Mezuzah

The mezuzah holds a sacred Jewish prayer and is carefully attached to my doorpost, serving as a constant reminder of my family’s faith and identity. Inside it is the Shema, one of the most important prayers in Judaism, which affirms my belief in God and his protection. Each time I pass by, whether entering or leaving, it quietly reinforces a sense of connection to my religion and the values that shape my life.
More than just a ritual object, the mezuzah represents protection. We believe it watches over the household and those within it, offering a spiritual safeguard. At the same time, it designates our home as a Jewish space, marking it with intention and meaning. It is a small but powerful way of expressing identity, not loudly, but with quiet confidence and continuity.
Its straight position on the doorpost is especially significant. While many Jewish families place the mezuzah at an angle, ours reflects the Syrian Jewish tradition that has been passed down for generations. This detail connects me directly to my heritage, honoring the customs of my ancestors. In this way, the mezuzah is not only a religious symbol but also a cultural one, preserving tradition while continuing to shape my sense of belonging in the present.

My Grandmother’s Iranian Passport

My grandmother’s passport from Iran is one of the most meaningful objects in my family. At the bottom of the page, there is a short but powerful note: “Only to attend religious ceremony with son.” Those few words represent a moment that completely changed her life. At the time, she was stuck in Iran while the rest of her family was already in New York. Her son’s bar mitzvah, a once-in-a-lifetime religious milestone, was coming up, and she was going to miss it. She refused to accept that. My grandmother went to the embassy and explained everything, hoping someone would understand how important it was for her to be there. Somehow, despite how strict and dangerous everything was at the time, they gave her special permission to leave the country just for this religious reason. That alone feels unbelievable. But what makes it even crazier is that only one week after she got her passport stamped and was able to leave, the embassy she went to was bombed during the revolution in Iran. Thinking about that now, feels like a miracle that she got out exactly when she did. To my family, this passport is so much more than just a document. It’s a symbol of faith, courage, and destiny. It shows how strong my grandmother was in such a scary situation and how much her family and religion meant to her. It reminds me that even in moments of fear and uncertainty, faith and determination can guide you exactly where you’re meant to be.

Friday Night Candlesticks

These are my great grandmother’s candlesticks that my family uses every Friday night to bring in the Sabbath. These candlesticks are important to me because they represent my Jewish religion and identity. In Judaism, lighting candles every Friday night starts the Sabbath, a time to pray, relax, and spend time with family. Every week when we light them, it feels like we are continuing something that has been done for generations.
What makes these candlesticks even more meaningful is my grandmother’s story after she received them from her mother. She immigrated from Iran to Israel due to religious persecution, which was a huge change in her life. Even when she was forced to leave her home, she kept her traditions, and these candlesticks are a symbol of that. When she gave them to my mom, her eldest daughter, she was passing down her religion, culture, and personal history.
Now, my family uses the same candlesticks and it makes me feel connected to where I came from. It’s like a reminder of my grandmother and everything she went through. It also shows how important religion is in shaping identity, especially in Jewish families where traditions are such a big part of life.
These candlesticks aren’t just an object, they represent my family’s past, our beliefs, and how we stay connected to our roots. They also remind me that even as life changes, our traditions and identity can stay strong and continue to guide us every day.

Albanian Shqiponja

The double headed eagle on the Albanian flag, the Albanian Shqiponja means a lot to both me and my family. As my parents immigrated to the city, it was hard maintaining their Albanian tradition when they were trying so hard to fit into
“New Yorkian” culture. Yet even as they adapted to a new way of life, the Shqiponja remained a constant—stitched into old clothing, hanging quietly on the wall, or spoken about in stories that carried pieces of home across the ocean. It became more than just a symbol; it was a reminder of where we came from, a reminder of resilience, pride, and identity. Growing up, I came to the realization that it wasn’t really about choosing one world over the other, but more importantly learning how to carry and embrace both. The same way the two eagles face two directions, my family learned to look forward while never losing sight of the past.

Family History Through Jewelry

The necklace my grandmother gave me for my Bat Mitzvah is simple, a delicate chain with my name written in Hebrew, but it carries a history far greater than its size. My grandmother was born in Romania in 1957 into a Jewish family that had to hide who they were. Antisemitism shaped her childhood in ways I can barely imagine. Her family couldn’t tell their neighbors they were Jewish, and her father even worked as a mall Santa to avoid suspicion. Their identity had to be concealed for their safety. Everything changed when her family moved to Israel. There, for the first time, she could live openly, without fear. She threw herself into building a new life, learning Hebrew, excelling in school, and eventually becoming a nurse and later a professor at one of Israel’s top universities. Her story is one of resilience, reinvention, and pride in her identity. When she gave me this necklace, it became more than just a piece of jewelry. As an Israeli girl whose parents immigrated to the United States, I see my own story reflected in hers. The necklace represents the journey from hiding to pride, from fear to freedom. Wearing my name in Hebrew is something I never have to think twice about, but for my grandmother, that same expression of identity was once dangerous.

Dhaa

I visited Bangladesh in 2017, which is the only visit there that I remember. As we drove from the airport to the house, I looked out into the dusty street; vendors selling clothes and food, cattle freely roaming the streets, and rickshaws swerving through the traffic. Nothing there felt familiar. When we finally arrived at the house, I felt some familiarity since my family doesn’t live in the village anymore. There were couches and a dining table, and even a small aquarium. Even then, the house was very different from an American house; and I was shocked to see my family has maids. I had thought that my family lives in poverty in Bangladesh, and by American standards, they do. However, witnessing the scale of poverty that exists in Bangladesh revealed a reality worse than I imagined. Most people are poor, but even then there exists rigid class structures with a hard line between business and land-owners and service-workers. In America, my dad is a service worker. Through a 13 hour flight, I had suddenly upgraded 10 social classes. The maids asked me what they could do for me, what I wanted to eat, where to put my things, and that made me feel more out of place than the cattle. I walked into the kitchen to help prepare food, something I always have done with my mom in America. They ushered me out, but the dhaa caught my eye. It was a large, curved, sharp, dangerous-looking tool on the floor. I watched one of the maids, a young teen girl, swiftly slicing cucumbers on the giant blade. I was eager to try it out, and after some begging, they agreed to train me. I stayed for over a month in Bangladesh, and left skilled with the dhaa, and as a friend to the maids.

A Vietnamese Family’s Hotpot

My family doesn’t have many grand objects from our Vietnamese heritage. And of those we do own, I don’t have much personal attachment to them. However, something that I’ve grown up with that I do adore is the Hotpot we always use for big dinners. I don’t know when we got it, all I know is that this pot has been in our family for as long as I can remember. Whenever we have a large group of people, usually family from out of state, we always use this for dinner. This picture is actually from Christmas dinner 2024.

The reason this pot means so much to me specifically is because of how many memories of mine revolve around this piece of cookware. Hotpot always leads to lighthearted conversations, a delicious meal, and patiently waiting for our food to finish cooking. The food each person chooses to cook and eat always reflects who they are. I remember that this specific night was when I tried fish roe dumplings for the first time and fell in love. In fact, part of the reason I’m in college is because of this pot as I actually wrote my college essay on it.

Whenever I go into storage to grab the pot, every memory of the fun and laughter it’s brought to my family comes flooding back. It may not be as glamorous as a piece of jewelry or as grandiose as a family heirloom, but our Hotpot has brought my family a sense of joy that just can’t be recreated.

Golden Chopsticks of the Tieh Family

My mother immigrated to California from Taiwan in 1976. With her were two pairs of golden chopsticks, a family heirloom with engravings in Archaic Chinese that had been passed down for generations. At eight years old, she learned that the American Dream was not in San Francisco. She moved to New York soon after, where her parents worked at a mail facility. Her father’s doctorate in law and her mother’s degree in teaching meant nothing if not in English. The golden chopsticks were shut away in a kitchen drawer. We use forks and knives in America.

In China, chopsticks made from precious metals (usually silver) symbolize wealth and safety. In ancient times, nobles were afraid of being poisoned. Silver and gold would become tainted and turn dark if in contact with certain poisons, so noble families ate with chopsticks made from those metals. The benefit was twofold: a parade of luxury and the calmness of safety. These utensils sometimes also had engravings on the side. My mother’s chopsticks said “Bring Auspiciousness.”

My mother worked towards this goal for years. As she grew older, she seemed every part the quintessential daughter. A division I athlete at Columbia University. Perfect—until she had to transfer. After all, how can an immigrant afford an Ivy League education on a mailman’s salary?

Yet, the engravings on the chopsticks did not rust; her goal stayed the same. She graduated from Baruch and stayed for her MBA, where she met my father, and then started at a top law firm. The chopsticks were polished for her wedding, sitting centerpiece at the dining table. The party was not just a celebration of love, but also for the hard work of her parents. She was their American Dream.

Nardi Game Set

The thwack and slam of the checkers permeate the air as my father confidently flows through the game, moving his checkers to block me in. 10-year-old me sits there, contemplating my next move. Strategizing if I want to be bold or safe in protecting my checkers. This game, Nardi, also known as Backgammon, was one of the first board games taught to me by my father. Nardi is a board game that originated in ancient Persia and spread to countries such as Georgia, Armenia, and Azerbaijan. My family, from Azerbaijan, has learned and played nardi for generations. At first, the game was intimidating to learn, with its aggressive smacking of the checkers and rolling the dye while counting in Farsi. I remember sitting at the table, rolling the dice, getting a 6 and a 5, or, as my father calls it, “Şeş Beş.” As I learned new strategies, moves, and the Farsi language, I also became closer to my family and culture. Our game set specifically was made and brought from my country, Baku, Azerbaijan, making it even more special to me and my family. As it’s another object symbolizing our history. Today, I stand as a champion within my family, being almost undefeated as I play against my family. I hope to pass down this game and game set to my children, teaching them ways to strategize, learn, play, and bond with family.

My Story Object

The Ghanaian bracelet is representative of the overall culture and tradition that is preserved within the country. From generations to generations, these bracelets preserve history, values, and the overall gist of what it means to be Ghanaian. From the pure black beads to multi-colored beads, these all have an individual meaning and all serve a collective purpose in conveying a cultural message. The black beads represent faith, strength, and wisdom while the colorful beads represent riches, prosperity, and royalty. These all serve a collective purpose for representing Ghanaian culture. When I first received this bracelet from my aunt who brought it from Ghana, I was indifferent to it. I viewed the bracelet as just another object that I could wear and was creatively distinct from my other accessories. However, as she began to discuss how she views Ghanaian culture and fashion it changed my indifference. I became ecstatic because I had something where I could represent my identity. The bracelet transcends just a fashion piece and is a statement of my heritage and history. It serves as a reminder that I am always representing Ghana and motivates me to put my best foot forward in everything that I do.

Bánh bèo & Bánh bột lọc

Bánh bèo and Bánh bột lọc are bite sized, savory Vietnamese dishes from the city in Vietnam that my father is from, Huế. Bánh bèo is uniquely served on small, individual dishes, and my father always told me that stacking the dishes became a competition of who could eat the most. Bánh bột lọc is wrapped, steamed, and served in banana leaves, and perhaps part of how much I love this dish is because of the element of surprise. When we eat these dishes, my father always reminds me to drown my bites in the slightly sweet and spicy Vietnamese dipping sauce served on the side, Nước chấm. I’ve been to many Vietnamese restaurants in New York and these specific dishes are rare to find. Ever since I was young, my family would often make an entire trip to Philadelphia to visit an authentic Vietnamese bakery called Ba Le that has a vast selection of traditional Vietnamese desserts, sauces, and dishes. For gatherings, my family sometimes orders large platters of Bánh bèo and Bánh bột lọc from a local family in Queens. When I visited my family in Huế in the summer of 2023, I was so excited to try Bánh bèo and Bánh bột lọc from my aunt’s neighbors. It was served exactly how I’d always eaten it, but it was even more special now that I was enjoying it with my family in Vietnam. Whenever I think of the taste of Vietnam, the first thing I think of are these two special dishes.

Gardening

Gardening was never seen as just a hobby on my mother’s side of the family. It was an art, a skill, and a way of understanding feng shui. In direct translation, feng shui means “wind-water,” and it reflects the flow of energy within a home and family. My grandparents, like many people of their generation, believed that when plants grew healthy and strong, it was a sign that the family carried positive energy, along with wealth, prosperity, and good health. To them, a garden was never just decoration. It was a reflection of the people who cared for it and the life growing around it.

Some of my earliest memories are of visiting my grandparents and seeing their garden. I remember the bright leaves shining under the sun, the sharp tang of lemons in the air, and the Golden Nanmu tree that always stood out to me as something rare and almost sacred. Every time I returned, everything seemed bigger, stronger, and more alive. As a child, I used to wonder if my grandpa had some kind of secret potion that made everything grow so beautifully. But there was no secret. It was just patience, routine, and care. He watered each plant carefully, paid attention to every leaf, and nurtured the garden the way someone would care for a child. That was what made it so beautiful. It was not magic.

That is why gardening means so much more to me now. It is not just about plants. It is about what those plants represent. Each tree, fruit, and flower carries a history of where my family came from and what they believed in. My grandparents brought with them not only traditions, but also a way of seeing the world, one where care and growth were deeply connected. They believed that what you nurture will eventually flourish, whether that is a garden, a home, or a family.

My mother inherited that same skill and artistry from her parents and brought it with her to the United States in 2004. Even after moving to a new country, she held onto this part of home. Over time, as she became busy raising my sisters and me, gardening blended into daily life rather than standing apart from it. It became something quieter but still deeply present, woven into the way she cared for our family. My uncles also have gardens of their own, which makes this tradition feel even larger than one person. It stretches across generations. In many ways, my grandparents planted more than seeds when they came here. They planted values, habits, and traditions into foreign soil, trusting that future generations would continue to grow from them.

That is why gardening is my object. It is physical, but it is also symbolic. It represents patience, care, family history, and the idea that growth takes time. It connects me to my grandparents, to my mother, and to a cultural belief system that sees nature as deeply tied to the energy of a home. When I think about gardening, I do not just think about leaves or fruit. I think about inheritance. I think about what gets passed down without always being spoken. I think about how something as ordinary as watering a plant can hold history, love, and intention.

Gardening matters to me; it reflects growth that comes from being nurtured, protected, and given time. In that way, gardening tells the story of my family. It tells the story of how my grandparents carried their beliefs into a new land, how my mother continued them, and how I now see myself as part of that same living history. Gardening is not just a hobby. It is a tradition, a legacy, and a reflection of the roots that continue to ground me.

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