The Dao – An Exploration of Bangladeshi Culture and the Immigrant Experience – Tajrian Jahan

An icon of the Bengali kitchen, the dao, a sharp, machete-sized seated blade commonly used by rural housewives to cut vegetables and fish, is an important symbol of Bengali village culture and a part of Bangladesh that my parents did not leave behind when they arrived here some 20 years ago.

The dao is a long, curved iron blade seated on a flat plank of wood or short iron tripod, used by squatting behind it and driving meat or vegetables into the blade. Its use dates back nearly 1,300 years to the Pala Dynasty in Bengal, a Buddhist kingdom in which early Bengali culture emerged; since the dawn of Bengali culture, the dao has been associated with the woman’s role as the nourisher and sustainer of the household.

The dao is also evidence of the sacredness of the bare earth in early Bengali culture. Toiling behind a dao, sharing a meal, and sleeping were all practices performed on the ground because the Earth and its soil were sacred. With the arrival of British colonialists, furniture and stovetops began to gain popularity and we lifted ourselves off these sacred grounds; using a dao became a symbol of rural meekness against Western culture. My mother came from a riverside village in Sylhet, and I remember watching her cut the same hyacinth beans she had once watched her own mother cut; she embodied the motherly spirit of the dao, and brought the essence of Bangladesh to our small apartment in the Bronx.

The Sil-Baata

An artifact that highlights the culture of Bangladesh is the sil-batta [sheel baata]. This South Asian tool dates back to 2500 BCE during the Indus Valley Civilization. The tool consists of two parts: the rough stone slab and the stone cylindrical grinder. Used in various South Asian countries including, Bangladesh, India, and more, the sil-batta was used to grind a multitude of spices including chillies, turmeric, ginger, garlic as well as lentils. Often used while sitting on the ground, the tool required great strength to grind the various spices by rolling the cylindrical piece against the spices laid on the slab in an upward motion. The concept of this tool highlights and exemplifies the hard work, patience, and grit carried out by South Asians from many centuries ago to now. Not only is it resourceful but also scientific because manually breaking down these spices releases greater flavor due to a proper breakdown of the cells of the spices, adding to the uniqueness and special flavor of South Asian cuisine.
From my experience, I do not use this tool with my cooking, especially since it is not as prominently used anymore, even in Bangladesh. However, growing up, when I went back home, I observed many of the house-helpers using the sil-batta to grind spices which encouraged me to try out the tool when I was young, though I was not very successful at it. I found this tool very interesting and personally unique to our culture though similar techniques are also applied in other cultures. Currently, for these spices, my family and I usually use a blender/grinder to grind ginger and garlic into pastes. A lot of the spices that we use, however, are generally store bought packs that come grinded. Though, if we have time to grind the spices ourselves, we do buy the spices from the store and grind it at home.
Overall, the sil-batta and its connection to the spices it is used to prepare highlights a significant distinction in South Asian cultures to the rest of the world and reflects the novelty of South Asian foods. This tool plays a role as one of the roots that connects me back to home.

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